Saturday, August 20, 2011

Summer Mockbusters: Conan the Barbarian.


Did you know that if you let prepubescent boys read Robert E. Howard’s Conan stories, they will actually begin puberty right then and there? It’s like clockwork.

Most people probably only know the Schwarzenegger “Conan” movies, which is a shame, because they’re really not at all like the pulp stories. They’re not as much fun, they’re not nearly as inventive, and they don’t do much to endear you to the character.

On the plus side though, they do lack the galloping racism of Howard’s fiction. Yeah, it was the 30s and he was from Texas, what’re you gonna do?

Now we have a “Conan the Barbarian” for a new generation. I hope these filmmakers know what they’re doing. Not just anyone can stand on top of a pile of skulls with his hair hanging in his face. I know Glenn Danzig makes it look easy, but that’s just his gift.


Conan the Barbarian

Directed by: A guy who had the good sense not to direct “End of Days.”

Starring: Hellboy, Cherry Darling, Stephen Lang’s Testosterone, and a man who has basically been cosplaying Conan for his entire career.

Basics:

Conan is pissed that someone killed his father, Ron Perlman. I’m pissed too. Ron Perlman totally deserved a bigger role than that.

The Good:

So, tell me something: do you like sword fights?

If you said yes, I may have a movie for you to check out. If you said no...go watch "The Help."

Conan does exactly three things: he fights, he travels to other fights, and now and then he stops to pick up one of the many gratuitously naked women who decorate his movie for no apparent reason. That's pretty much his day.

One of the few times we even see him sleep he's woken up by a swordfight (also known as the "Cimmerian alarm clock"). It must be nice to be doing what you love in life.

For reference, I've compiled a short list of things less bloody than "Conan the Barbarian":

-Raw red meat.

-Invasive surgery.

-Dracula's bowel movement.

-A hemophiliac on cocaine who falls into a dumpster full of liquor bottles.

-A big swimming pool full of blood.



Conan totally stole my hairstyle.

But Adam, you say, (you did just say that, right, I'm not hearing voices again?) is this movie really just about gratuitous violence? To which I assure you, no.

There's also gratuitous nudity.

Conan in this movie is Jason Momoa, who has been playing Conan by any other name for his entire life. Momoa is plainly not a good actor, but then, the bar was set by Schwarzenegger here.

The heavy lifting is done by Stephen Lang, who destroys the scenery and is accompanied by Rose McGowan looking like a GWAR groupie and acting like David Cronenberg's ultimate wet dream. It‘s like they read my diary.

Visually, the movie is phenomenal. Fantasy art fans will be wanking off Peewee Herman-style in their seats, because there are moments when Conan just walks straight into a Frank Frazetta painting. There are about twelve scenes from this movie that I want painted on my van, assuming I had a van and no shame.



<"You know, I thought that the water from this well had kind of a calamari aftertaste.">

Did I mention that Conan kills shit in this movie? He does. A lot. I really can't stress that enough.

The Bad:

Plainly I did not expect "Conan" to be a smart movie. In fact, I would have been a trifle disappointed if it was. Even so, there's no reason for it to be strictly this dumb.

How dumb are we talking? The first we see of Conan is in utero, while his nine month's pregnant mother is fighting barbarians. Yes, she's sword fighting while enormously pregnant. While wearing what we can only call "maternity armor."

Naturally, circumstances shortly require that Conan's father (Ron Perlman, of course. Who the hell else was it gonna be?) perform an emergency "Cimmerian section" with his sword, and we get treated to Conan's naked, blood-covered, umbilicus-wielding newborn visage.

There's a fight going on during all of this, of course.

I realize that for a certain value of the word, the above scene sounds good, but it's really not. This movie just doesn't sell that moment, and this movie above all needs to be the kind of movie that sells that moment, because if it isn't, there's almost no reason for it to exist.

Granted, "Conan" never gets that stupid again, but even once is too often.


<"I think I dated this chick briefly in college. I'll be honest, if she called, I'd pick up the phone.>

Unbelievably, "Conan" is over-written. Despite the fact that if you compiled all of the footage that is not people getting disemboweled you wouldn’t have enough to fill a flipbook, somehow or another they managed to make the story too complicated, mucking around with magic mask that is created and destroyed and recreated in the first ten minutes of the film, and then does not much for the rest of it.

It’s hardly a spoiler to tell you that Conan’s father dies. You should be able to guess this before you even sit down, and even if you sdidn’t it’ll be clear within five minutes (and then he’ll be dead five minutes later).

Given how this is an, um, given, you’d think we could get on with it, but no, the man takes FOREVER to die. I’ve seen people die more expeditiously in real life. The audience has places to be and they know perfectly well how this is going to turn out, so please, any day now.



Hard to say exactly where Ron Perlman sits in the fossil record.

The Ugly:

I hope Jason Momoa keeps picking up former Arnold roles.

I can’t wait to see a remake of “Twins” with him and the guy who played McLovin in “Superbad”, or maybe have him sit there with his trademark look of dull surprise w/ heavy eyebrows while watching Amanda Seyfried poledance in a “True Lies” remake.

This guy is pretty much just Arnold, slightly prettier and with better hair. I can support that. He’s not Arnold 2.0, he’s just Arnold 1.2. A patch, if you will. Same Arnold that you know, but with better security, fewer bugs, and less speech therapy required.

Please update your drivers.

Bottom Line:

I really should have better taste than this.

Alas, I don’t.

Look, I’ve seen three movies this week. The other two were both subtitled, one was Spanish and the other French, and one was directed by Luis Bunuel. I can like “Conan the Barbarian” and still keep my elitist snob credentials.

Believe me, I’ve earned this. I earned this with every second of “Tree of Life.” Each of which are like two and a half second of a normal movie, or three and a quarter seconds of this movie.

I heard someone call this a “nacho eating” movie, but that’s accurate only if you substitute your enemy’s blood for cheese. And the chips are ground from your enemy’s bones. And the chili is composed chiefly of, well, you get the idea.

I live. I love. I watch. I am content.

Trailer Park:

The Thing:

http://www.youtube.com/watch?v=XCHuSKnFYzY&feature=related

Those who are pissed at the idea of remaking John Carpenter’s “The Thing” (possibly the greatest horror film of all time) have no legs to stand on once they remember that Carpenter’s “The Thing” was also, technically, a remake. Ouch.

Immortals:

http://www.youtube.com/watch?v=7VdONYkKFmQ

The people behind this movie seem to think that I’ll root for Henry Cavill over Mickey Rourke. In other words, these people don’t know shit about me, or about Mickey Rourke.

Ghost Rider 2:

No.

Just, no.

I’m not even linking. This isn’t happening. We will never speak of it again. NEVER.

Next Week: Nothing. It’s late August, the summer schedule is finished, and so am I.

Time to sit back for the standard slew of September and October Hollywood horror movies and then it’s award movie season starting in November. And so the great Circle of Life turns on and on and on.


Thursday, August 4, 2011

Summer Mockbusters: Cowboys & Aliens


It's really hard to believe that it took so long for this movie to get made.

I blame myself, really. Surely I had this same idea when I was eleven and then forgot about it? Possibly while buzzed on Otter Pops and Capri Suns? Artificial sweeteners ruined my screenwriting career, is what I'm saying.


Cowboys & Aliens

Directed by: A guy who is so money and he doesn't even know it.

Starring: James Bond, Indiana Jones, Zaphod Beeblebrox, the priest from "There Will be Blood", and then Olivia Wilde, who has actually never done a good movie I can cite.

Basics:

What? Didn't you read the title?

The Good:

You might be surprised to learn that "Cowboys & Aliens" is, despite its genre-blending gimmick, really just a good old-fashioned Western in its own right. Granted, its pretty much every Western you've ever seen, with every stock character you've ever seen, but then again, that's the whole point.

Really hard to understand how no one had ever yet put Daniel Craig or Harrison Ford in those cowboy hats before. The only parts those two guys are equipped to play better are Daniel Craig and Harrison Ford. Craig is naturally stoic and taciturn, and Harrison Ford was, apparently, possessed by the spirit of Harlan Ellison a few years back, giving him superhuman curmudgeonliness.


"Really? You're texting me now? This is the worst possible time."

There's two ways to play this premise, seriously or as a gag. "Cowboys & Aliens" is completely non-ironic about its story. The sci fi elements lean towards Ridley Scott-style sci fi horror rather than the Paul Verhoeven-style action-fi you might expect. If "True Grit" had a drunken one night stand with "The Thing", "Cowboys & Aliens" would be what got aborted three months later (I'm sorry, but there's just no way that thing would come to term).

And damn, what a cast. When I was watching "Captain America" I kept thinking stuff like: "This has got everyone in it except for XYZ." Turns out, X, Y, and Z were doing this movie instead. Probably the two productions split the talent pool between them, which I guess explains why "Green Lantern" ended up with the cast that it did.

The Bad:

I still don't get the big deal about Olivia Wilde. Some people complain that I don't like any young actresses working today, but that's not true. I just don't like the ones that Hollywood likes, the ones whose only talent is looking pretty while having no verifiable facial expression between occasional smiling and default dull surprise.



"Unless you're here to offer me a refund for 'Tron: Legacy' you best keep moving, missy."

She has crazy electric eyes that freak me out. So does Daniel Craig. Anytime they looked at one another, I was afraid they might be crossing the streams.

"Cowboys & Aliens" is fun and all, but if you look past John Favreua's dynamic directing and the (mostly) great casting decisions, you'll find it's not a great script. Not a terrible one either, but the kind of thing that feels like it was written between drafts of someone's passion project adaptation of "The Silmarillion" ("Wait, which group of elves is this again?") and the Sci Fi Channel movie of the week that pays their bills ("Croco-saurus-octo-geddon 2?").

Really, it's a barely average story that, by dint of its wonderfully over the top premise, was lucky enough to attract outsize talent.

And how many times do we have to go over this: your computer-generated creatures look good in the dark and when they're moving naturally. Put them in broad daylight and have them hopping around like lemurs on meth and you're not fooling anyone.



"Ford, I swear to God, if you say 'Well that's not bad, but you're still no Sean Connnery,' one more time, the next one goes through your head."

The Ugly:

Other genre mash-ups I'd like to see:

Ninjas vs Pirates vs Space Marines.

When Harry Met Nessie (that's a rom com/creature feature).

Tyler Perry's House of Frankenstein.

Hobbit Hangover.

Bottom Line:

"Cowboys & Aliens" has the bad luck of coming out toward the end of (and I can't believe I'm saying this) a surprisingly good summer for action movies, potentially leaving audiences burnt out. So if it seems like I'm not that enthusiastic about it, well, fuck, it's August, we're a long way from "Thor" here people.

But that's okay, that's not the movie's fault. Everyone who loves the title will like this movie. Everyone who thinks the title is stupid...needs to lighten up.

Trailer Park:

Battleship:

http://movies.yahoo.com/movie/1810116793/video/26061671/

I have never before seen a theater full of people so thoroughly baffled. Which I guess is to this movie's credit.

Conan:

http://movies.yahoo.com/movie/1809953260/video/25116578/

Fine, fine, I'll admit it already, it looks cool! Stop hounding me!

But I do wish someone, some day would make a "Conan" movie closer to the real Conan character; a drunken, rowdy, thieving, womanizing jerk who loved to fight shit and make money rather than the bland, mechanical revenge-seeker we always get.

Shark Night 3D:

http://www.joblo.com/movietrailers-view.php?movie=7299

Piranhas were cooler.

Next: Twenty pissed off chimps take over the world with spears. And it's James Franco's fault. Typical.

Tuesday, August 2, 2011

Grant Morrison's "Doom Patrol" explains why the US debt ceiling crisis was stupid.


With just a little over 24 hours left before the End of Everything, it appears that Congress has brokered a deal, just in time for the average American to not give a shit or understand what's going on at all.

This was easily the dumbest political crisis in US history, rooted in someone's (I'm still not sure whose) implicit belief that the best solution to a long-term problem is to make it an immediate problem that is roughly twice as bad.

In fact, this whole thing is so stupid that the only way I can really contextualize it is to frame the entire thing via quotes from Grant Morrison's "Doom Patrol."

Why "Doom Patrol"? Because "Doom Patrol" is the comic in which crises that don't makes sense are addressed by people who don't know what they're doing, often resulting in a solution that is almost as bad as the original problem.

***

1. The debt problem:

"Stop it? It can't be stopped now. The Decreator is annihilating the universe, bit by bit. This is only the end of the bloody universe we're talking about now."

2. The Tea Party steps onto the scene:

"Those are the leaders of the cult? Puppets?"

"Discarded childhood toys, grown bitter and deformed and hungry for revenge. Painted gods, by whose power existence itself is brought to an end."

3. The Tea Party explains their position:

"But this is insane, what could you possibly achieve by destroying everything?"

"Achieve? We achieve nothing, literally nothing."



Early Tea Party rallies were small affairs, and they had trouble deciding on a motif.

4. Opposing camps in Congress lay out their respective ideologies:

"I am a liar and I do not know why there is something instead of nothing."

"I am an honest man and I do not know why there is something instead of nothing."

5. Normal Republicans address the Tea Party:

"Please, I'm not really involved with these people, they've led me astray. I...I have asthma! I'm on medication! My dear mother is in an iron lung and I'm her only link to human society, have pity!"

6. House Speaker John Boehner explains how he can look at himself in the mirror every day:

"I suffer from a rather unusual disease, such that if I were to see any reflection of my naked face I would immediately cease to exist."

7. And acts accordingly:

"Thus do we present this absurdist ritual for your entertainment. Follow us into the golden country, into the empire of the senseless!"

8. Senate Majority Leader Harry Reid marshals his party:

"Well, not long now before the end of the universe. Does anyone have any brilliant ideas before we all disappear completely?"

9. House Minority Leader Nancy Pelosi chimes in:

"Well...I mean, I just wanted to say...well...can I go to the bathroom please?"

10. President Obama changes his position in the middle of changing his position:

"It's activated by paradox modulation. Any contradictory ideas or images can open a way in."



The Democratic party's liberal wing did their best to influence the process.

11. Editorial writers critique the state of government:

"My dear ludicrous friends, standing there like lost property no one wants to claim, with stupid names and even more stupid costumes, look at us! Are we not final proof that there is no good, no evil, no truth, no reason? Are we not proof that the universe is a drooling idiot with no fashion sense?"

12. The negotiations begin:

"By the end of the first day I was completely insane. Minutes became centuries, became millennia, became eons. After several billion centuries I was convinced of my own serene divinity."

13. Further negotiations:

"Dada is the Kingdom of No, where even language fails, where words become futile!"

14. Final negotiations:

"Then came the War of Nerves, in which each side would ignore the other in an attempt to irritate the enemy into submission."



Some lobbyist groups are stranger than others.

15. The solution:

"We couldn't stop the Decreator, so we just slowed it down."

"But it's still destroying the universe?"

"Yes, but it's doing it terribly slowly now, so slowly that no one need ever know that the old place is coming undone."

16. Harry Reid explains how this outcome could possibly have happened:

"I'm a notorious and compulsive liar. I just wanted some booze. I simply refuse to bear any more of this hideousness without it."